{"id":1567,"date":"2020-11-05T17:43:20","date_gmt":"2020-11-05T16:43:20","guid":{"rendered":"https:\/\/www.janinaroider.com\/?page_id=1567"},"modified":"2021-09-03T16:24:31","modified_gmt":"2021-09-03T14:24:31","slug":"ausstellungen","status":"publish","type":"page","link":"https:\/\/www.janinaroider.com\/en\/ausstellungen\/","title":{"rendered":"AUSSTELLUNGEN"},"content":{"rendered":"\n

MAKE IT NEWER!
29.10. -28.11.20
Galerie EIGEN+ART LAB
BERLIN<\/p>\n

JANINA ROIDER
MAKE IT NEWER!<\/strong><\/p>\n

A hybrid dream landscape<\/p>\n

\u00a0<\/p>\n

EIGEN+ART LAB, Berlin<\/p>\n

29 October \u2013 28 November 2020<\/p>\n

Opening: 29 October, 11 \u2013 20 hrs<\/p>\n

\u00a0<\/p>\n

In this new, monographic exhibition, the Munich- and Montalivet-based artist Janina Roider (b. 1986) transports gallery-goers to landscapes where the real and the fictive, actuality and dream, the aesthetics of advertising and the painting manner of the Old Masters enter into a creative symbiotic relationship.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The exhibition\u2019s title MAKE IT NEWER! <\/strong>is a reference to Roider\u2019s Academy teacher G\u00fcnther F\u00f6rg, whose guiding principle and maxim \u201cmake it new<\/em><\/strong>\u201d \u2013 a dictum borrowed from Ezra Pound, whose work F\u00f6rg greatly admired \u2013 served also as the title of his trail-blazing solo exhibition of 2004, which formed part of the Ruhrfestspiele<\/em> in Recklinghausen, Germany. F\u00f6rg\u2019s works \u2013 which were to prove seminal for Roider\u2019s understanding of painting \u2013 stand apart, outside the painterly discourse of classical modernism. In his view, the painter should abandon his or her solitary and \u00e9litist position and the concomitant intellectual mindset framed in the specific period and should no longer have to offer a direct explanation of his or her selfhood and work.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The original motivational thrust of modern art is always its urge for renewal. In the formal language of Roider\u2019s oeuvre, this impulse invariably leads to a fusing of digital and analogue processes. The basis for each work is a hand-drawing, which is digitalized \u2013 with her sculptures, this takes the form of a digital print \u2013 and then expanded almost in the mode of the Old Masters through successively \u201capplied\u201d layers. In the next step, the digital drawing is turned into a print (designed for serial reproduction) and so becomes Roider\u2019s canvas and support.<\/p>\n

The eye of the beholder is called on, challenged to immerse itself in the resultant works, to study their images meticulously so as to be able to distinguish, in the given case, between digital and analogue painting processes. Roider\u2019s works invite one to abandon oneself to a world full of delight in life, full of a relish for faraway climes and human physicality, and to delve deep down into discovery and painting. In playful manner, references to art history (such as Botticelli\u2019s \u201cBirth of Venus\u201d, 1485-86), advertising aesthetics (such as the further development of Dik Browne\u2019s \u201cMiss Chiquita\u201d, 1944) and patterns of collective memory (such as Jerry Siegel\u2019s and George Roussos\u2019 \u201cSuperwoman\u201d, which first appeared in action comics in 1943) merge with topical (and self-reflexive) issues of gender-allocation, of the new role of the (empowered) woman, of individually lived sexuality and of the achievement of personal freedoms\/liberation from convention in one\u2019s own life project and style.<\/p>\n

\u00a0<\/p>\n

Sarah Haugeneder<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

About the Artist<\/strong><\/p>\n

\u00a0<\/p>\n

Janina <\/em>Roider (b. 1986 in Dachau, Germany) lives and works in Munich and Montalivet, France. At the Munich Academy of Fine Arts, she first studied Art Education under Matthias W\u00e4hner, before transferring into the Class of G\u00fcnther F\u00f6rg in order to pursue the Liberal Arts. She graduated there in 2015 with the title of Master Pupil. In 2010\/2011, she spent a year abroad studying at the Glasgow School of Art in Scotland, where she was awarded a Bachelor of Arts degree. During her student years, she held a <\/em>Scholarship of the Federal Support Programme for the Gifted, Ev. Studienwerk V.illigst e.V. In <\/em>2018 she was the recipient of a Working Scholarship from the Arts Support Programme of the Konrad Adenauer Foundation.<\/em><\/p>\n

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\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

translated by Richard Humphrey<\/p>\n

\"janina
sandcastle_3dscan.stl
3D Quartzsand print, epoxy and enamel,
30 x 32 x 20 cm, 2020<\/figcaption><\/figure>\n

\u00a0<\/p>\n

JANINA ROIDER
MAKE IT NEWER!<\/strong><\/p>\n

A hybrid dream landscape<\/p>\n

\u00a0<\/p>\n

EIGEN+ART LAB, Berlin<\/p>\n

29 October \u2013 28 November 2020<\/p>\n

Opening: 29 October, 11 \u2013 20 hrs<\/p>\n

\u00a0<\/p>\n

In this new, monographic exhibition, the Munich- and Montalivet-based artist Janina Roider (b. 1986) transports gallery-goers to landscapes where the real and the fictive, actuality and dream, the aesthetics of advertising and the painting manner of the Old Masters enter into a creative symbiotic relationship.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The exhibition\u2019s title MAKE IT NEWER! <\/strong>is a reference to Roider\u2019s Academy teacher G\u00fcnther F\u00f6rg, whose guiding principle and maxim \u201cmake it new<\/em><\/strong>\u201d \u2013 a dictum borrowed from Ezra Pound, whose work F\u00f6rg greatly admired \u2013 served also as the title of his trail-blazing solo exhibition of 2004, which formed part of the Ruhrfestspiele<\/em> in Recklinghausen, Germany. F\u00f6rg\u2019s works \u2013 which were to prove seminal for Roider\u2019s understanding of painting \u2013 stand apart, outside the painterly discourse of classical modernism. In his view, the painter should abandon his or her solitary and \u00e9litist position and the concomitant intellectual mindset framed in the specific period and should no longer have to offer a direct explanation of his or her selfhood and work.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The original motivational thrust of modern art is always its urge for renewal. In the formal language of Roider\u2019s oeuvre, this impulse invariably leads to a fusing of digital and analogue processes. The basis for each work is a hand-drawing, which is digitalized \u2013 with her sculptures, this takes the form of a digital print \u2013 and then expanded almost in the mode of the Old Masters through successively \u201capplied\u201d layers. In the next step, the digital drawing is turned into a print (designed for serial reproduction) and so becomes Roider\u2019s canvas and support.<\/p>\n

The eye of the beholder is called on, challenged to immerse itself in the resultant works, to study their images meticulously so as to be able to distinguish, in the given case, between digital and analogue painting processes. Roider\u2019s works invite one to abandon oneself to a world full of delight in life, full of a relish for faraway climes and human physicality, and to delve deep down into discovery and painting. In playful manner, references to art history (such as Botticelli\u2019s \u201cBirth of Venus\u201d, 1485-86), advertising aesthetics (such as the further development of Dik Browne\u2019s \u201cMiss Chiquita\u201d, 1944) and patterns of collective memory (such as Jerry Siegel\u2019s and George Roussos\u2019 \u201cSuperwoman\u201d, which first appeared in action comics in 1943) merge with topical (and self-reflexive) issues of gender-allocation, of the new role of the (empowered) woman, of individually lived sexuality and of the achievement of personal freedoms\/liberation from convention in one\u2019s own life project and style.<\/p>\n

\u00a0<\/p>\n

Sarah Haugeneder<\/p>\n

\u00a0<\/p>\n

About the Artist<\/strong><\/p>\n

Janina <\/em>Roider (b. 1986 in Dachau, Germany) lives and works in Munich and Montalivet, France. At the Munich Academy of Fine Arts, she first studied Art Education under Matthias W\u00e4hner, before transferring into the Class of G\u00fcnther F\u00f6rg in order to pursue the Liberal Arts. She graduated there in 2015 with the title of Master Pupil. In 2010\/2011, she spent a year abroad studying at the Glasgow School of Art in Scotland, where she was awarded a Bachelor of Arts degree. During her student years, she held a <\/em>Scholarship of the Federal Support Programme for the Gifted, Ev. Studienwerk V.illigst e.V. In <\/em>2018 she was the recipient of a Working Scholarship from the Arts Support Programme of the Konrad Adenauer Foundation.<\/em><\/p>\n

\u00a0<\/p>\n

translated by Richard Humphrey<\/p>\n

\"\"<\/p>\n

\u00a0<\/p>\n

\"\"<\/p>\n

JANINA ROIDER
MAKE IT NEWER!<\/strong><\/p>\n

Eine hybride Traumlandschaft<\/p>\n

Mit dieser neuen, monographischen Ausstellung entf\u00fchrt Janina Roider (* 1986, lebt und arbeitet in M\u00fcnchen und im franz\u00f6sischen Montalivet) die BesucherInnen in k\u00fcnstlerische Landschaften, in denen Wirklichkeit und Fiktion, Realit\u00e4t und Traum, Werbe\u00e4sthetik und altmeisterliche Malerei eine Symbiose eingehen.<\/p>\n

\u00a0 Der Ausstellungstitel MAKE IT NEWER! <\/strong>ist ein Verweis auf Roiders Akademie-Lehrer G\u00fcnther F\u00f6rg, dessen Leitspruch \u201emake it new\u201c <\/em><\/strong>\u2013 die Maxime stammt urspr\u00fcnglich von Ezra Pound, dessen Schaffen F\u00f6rg sehr bewunderte \u2013 auch als Titel seiner wegweisenden, 2004 anl\u00e4sslich der Ruhrfestspiele Recklinghausen er\u00f6ffneten Einzelausstellung fungierte. F\u00f6rgs Arbeiten, die Roiders Verst\u00e4ndnis von Malerei pr\u00e4gen sollten, standen bewusst abseits, losgel\u00f6st vom vorherrschenden Diskurs zur Malerei der klassischen Moderne. So sollten nach seiner Auffassung K\u00fcnstlerInnen ihren solit\u00e4r-elit\u00e4ren Standpunkt und die damit jeweils einhergehende intellektuelle Geisteshaltung aufgeben und sich selbst und ihre Arbeit nicht mehr dezidiert erkl\u00e4ren m\u00fcssen.<\/p>\n

\u00a0 Die urspr\u00fcngliche Motivation der modernen Kunst liegt immer im Erneuerungsdrang. Aus diesem Drang heraus verschmelzen in Roiders Arbeiten formal immer digitale mit analogen Prozessen. Jeder Arbeit liegt eine Handzeichnung zugrunde, die digitalisiert (bei den Skulpturen ein Digitaldruck) mit fast altmeisterlich aus nacheinander \u201eaufgetragenen\u201c Schichten erweitert wird. Diese digitale Zeichnung wird im n\u00e4chsten Schritt als (seriell angelegter) Druck zu Roiders Leinwand und Bildtr\u00e4ger.<\/p>\n

Das Auge wird herausgefordert, durch genaue Bildbetrachtung in die Werke einzutauchen, um so gegebenenfalls digitale und analoge Malerei differenzieren zu k\u00f6nnen. Roiders Arbeiten laden ein, sich einer Welt voller Lust am Leben, an fernen Welten, an K\u00f6rperlichkeit, sowie dem Entdecken und der Malerei hinzugeben. Spielerisch verschmelzen kunsthistorische Bez\u00fcge (wie Botticellis \u201eDie Geburt der Venus\u201c, 1485-86), Werbe\u00e4sthetik (wie die Weiterentwicklung von Dik Brownes \u201eMiss Chiquita\u201c, 1944) und Patterns des kollektiven Ged\u00e4chtnisses (wie Jerry Siegels und George Roussos\u2019 \u201eSuperwoman\u201c, die 1943 erstmals im Comic auftauchte) mit aktuellen (und selbstreflexiven) Fragen der Gender-Zuschreibung, nach der neuen Rolle der (starken) Frau, der individuell gelebten Sexualit\u00e4t und dem Schaffen von pers\u00f6nlicher Freiheit\/Entgrenzung im eigenen Lebensentwurf.<\/p>\n

\u00a0<\/p>\n

Sarah Haugeneder<\/p>\n

\u00a0<\/p>\n

Zur K\u00fcnstlerin<\/strong><\/p>\n

\u00a0<\/em><\/p>\n

Janina Roider (*1986 Dachau) lebt und arbeitet in M\u00fcnchen und Montalivet (Aquitaine). Sie studierte zun\u00e4chst an der Akademie der Bildenden K\u00fcnste M\u00fcnchen Kunstp\u00e4dagogik bei Matthias W\u00e4hner, bis sie in die Klasse von G\u00fcnther F\u00f6rg wechselte, um Freie Kunst zu studieren. Dort graduierte sie 2015 mit dem Meistersch\u00fclertitel. 2010 – 2011 absolvierte sie einen einj\u00e4hrigen Studienaufenthalt an der Glasgow School of Art in Schottland, den sie mit dem Bachelor of Arts abschloss. W\u00e4hrend ihrer Studienzeit erhielt sie das Bundesbegabtenstipendium des evangelischen Studienwerks Villigst e.V. \u00a02018 war sie Stipendiatin der K\u00fcnstlerf\u00f6rderung der Konrad-Adenauer-Stiftung.<\/em><\/p>\n

\u00a0<\/p>\n

JANINA ROIDER
MAKE IT NEWER!<\/strong><\/p>\n

A hybrid dream landscape<\/p>\n

\u00a0<\/p>\n

EIGEN+ART LAB, Berlin<\/p>\n

29 October \u2013 28 November 2020<\/p>\n

Opening: 29 October, 11 \u2013 20 hrs<\/p>\n

\u00a0<\/p>\n

In this new, monographic exhibition, the Munich- and Montalivet-based artist Janina Roider (b. 1986) transports gallery-goers to landscapes where the real and the fictive, actuality and dream, the aesthetics of advertising and the painting manner of the Old Masters enter into a creative symbiotic relationship.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The exhibition\u2019s title MAKE IT NEWER! <\/strong>is a reference to Roider\u2019s Academy teacher G\u00fcnther F\u00f6rg, whose guiding principle and maxim \u201cmake it new<\/em><\/strong>\u201d \u2013 a dictum borrowed from Ezra Pound, whose work F\u00f6rg greatly admired \u2013 served also as the title of his trail-blazing solo exhibition of 2004, which formed part of the Ruhrfestspiele<\/em> in Recklinghausen, Germany. F\u00f6rg\u2019s works \u2013 which were to prove seminal for Roider\u2019s understanding of painting \u2013 stand apart, outside the painterly discourse of classical modernism. In his view, the painter should abandon his or her solitary and \u00e9litist position and the concomitant intellectual mindset framed in the specific period and should no longer have to offer a direct explanation of his or her selfhood and work.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The original motivational thrust of modern art is always its urge for renewal. In the formal language of Roider\u2019s oeuvre, this impulse invariably leads to a fusing of digital and analogue processes. The basis for each work is a hand-drawing, which is digitalized \u2013 with her sculptures, this takes the form of a digital print \u2013 and then expanded almost in the mode of the Old Masters through successively \u201capplied\u201d layers. In the next step, the digital drawing is turned into a print (designed for serial reproduction) and so becomes Roider\u2019s canvas and support.<\/p>\n

The eye of the beholder is called on, challenged to immerse itself in the resultant works, to study their images meticulously so as to be able to distinguish, in the given case, between digital and analogue painting processes. Roider\u2019s works invite one to abandon oneself to a world full of delight in life, full of a relish for faraway climes and human physicality, and to delve deep down into discovery and painting. In playful manner, references to art history (such as Botticelli\u2019s \u201cBirth of Venus\u201d, 1485-86), advertising aesthetics (such as the further development of Dik Browne\u2019s \u201cMiss Chiquita\u201d, 1944) and patterns of collective memory (such as Jerry Siegel\u2019s and George Roussos\u2019 \u201cSuperwoman\u201d, which first appeared in action comics in 1943) merge with topical (and self-reflexive) issues of gender-allocation, of the new role of the (empowered) woman, of individually lived sexuality and of the achievement of personal freedoms\/liberation from convention in one\u2019s own life project and style.<\/p>\n

\u00a0<\/p>\n

Sarah Haugeneder<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

About the Artist<\/strong><\/p>\n

\u00a0<\/p>\n

Janina <\/em>Roider (b. 1986 in Dachau, Germany) lives and works in Munich and Montalivet, France. At the Munich Academy of Fine Arts, she first studied Art Education under Matthias W\u00e4hner, before transferring into the Class of G\u00fcnther F\u00f6rg in order to pursue the Liberal Arts. She graduated there in 2015 with the title of Master Pupil. In 2010\/2011, she spent a year abroad studying at the Glasgow School of Art in Scotland, where she was awarded a Bachelor of Arts degree. During her student years, she held a <\/em>Scholarship of the Federal Support Programme for the Gifted, Ev. Studienwerk V.illigst e.V. In <\/em>2018 she was the recipient of a Working Scholarship from the Arts Support Programme of the Konrad Adenauer Foundation.<\/em><\/p>\n

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\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

translated by Richard Humphrey<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

translated by Richard Humphrey<\/p>\n

\u00a0<\/p>\n

\"\" \"\"<\/p>\n

\"\"<\/p>\n

\"\"
MAKE IT NEWER!
29.10. -28.11.20
Galerie EIGEN+ART LAB
BERLIN<\/figcaption><\/figure>\n
\"\"
havainas_3dscan.stl, 3D printed plastic and candy enamel, 90 x 60 x 50 cm , 2020<\/figcaption><\/figure>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

MAKE IT NEWER!29.10. -28.11.20Galerie EIGEN+ART LABBERLIN JANINA ROIDERMAKE IT NEWER! A hybrid dream landscape \u00a0 EIGEN+ART LAB, Berlin 29 October \u2013 28 November 2020 Opening: 29 October, 11 \u2013 20 hrs \u00a0 In this new,Continue reading<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1567","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"2.10.10","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nAUSSTELLUNGEN | JANINA ROIDER STUDIO<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.janinaroider.com\/ausstellungen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" 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